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But she frames this melancholy sentiment in a roadhouse rocker. It’s specifically about the Covid-19 pandemic, and it mentions depression and the struggle to carry on.
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“Livin’ for the Ones” is an upbeat rocker about what those alive now owe to those who didn’t make it. Two songs are drawn from her life, and two are observational character studies. Raitt more than offsets this tendency with her original material, all of which is exceptional. If there’s a weakness to the record-and it’s a small one-it’s that a few of the cover songs, which mostly deal with love and romance, aren’t easy to tell apart. Raitt, and when her voice enters, it’s hard to believe how well it’s held up into her eighth decade. The opening “Made Up Mind,” originally by the alt-country outfit theīegins with a slide guitar lick by Ms. She wrote three of its 10 songs and co-wrote another, and the remainder are a mix of tunes new to this set and songs recorded by others previously. ” is leaner and more succinct, with shorter solos and fewer sonic embellishments (she produced the album on her own). Raitt’s recent work-this is her first LP in six years-“Just Like That. ” (Redwing), out Friday, continues her late-career renaissance.Ĭompared with Ms. Was in 1994, “Long in Their Hearts,” she returned to a simpler blues-rock approach and eventually started putting out records on her own label with no dip in quality.
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Raitt never seemed interested in extending that commercial run beyond its natural life span. Those albums were a little heavier on synths and went down a little easier on radio, and they went multiplatinum. When she teamed with producer Don Was on albums including “Nick of Time” (1989) and “Luck of the Draw” (1991), her approach finally garnered intense interest from broader audiences. But eventually the mainstream came to her. In her first decade she was a cult artist, beloved by critics while selling few records-if you haven’t heard them, her first five LPs now sound like lost classics that deserve a place in the ’70s rock canon. Raitt continued to do her thing, mixing blues, rock, folk, pop, R&B and more into a distinctly American strand of music that is all her own. For over 50 years, whatever else was going on in music, Ms. Since Bonnie Raitt’s 1971 self-titled album debut, trends in rock and pop have turned over more times than anyone could count.